Performances for this month
(does not include auditions or special events – see This Week’s Events below or the calendar page for full listing)
Tokens of Affection is a comedy written by Topher Payne, who also wrote our most recent production, Perfect Arrangement. It is the playwright’s tribute to Neil Simon. This contemporary comedy about marriage and families will have audiences in stitches.
Co-Production with FAIR School for Arts |
Theatre in the Round is pleased to announce our second co-production with FAIR School for Arts. This partnership allows us to support & inspire the next generation of theatre creators through educational opportunities on and backstage. As audience members, your support of these partnerships ensures the future flourishing of theatre in Minneapolis & the continued health and well-being benefits of art-making for young people.
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Tokens of Affection is a comedy written by Topher Payne, who also wrote our most recent production, Perfect Arrangement. It is the playwright’s tribute to Neil Simon. This contemporary comedy about marriage and families will have audiences in stitches.
Co-Production with FAIR School for Arts |
Theatre in the Round is pleased to announce our second co-production with FAIR School for Arts. This partnership allows us to support & inspire the next generation of theatre creators through educational opportunities on and backstage. As audience members, your support of these partnerships ensures the future flourishing of theatre in Minneapolis & the continued health and well-being benefits of art-making for young people.
|
Co-Production with FAIR School for Arts |
Theatre in the Round is pleased to announce our second co-production with FAIR School for Arts. This partnership allows us to support & inspire the next generation of theatre creators through educational opportunities on and backstage. As audience members, your support of these partnerships ensures the future flourishing of theatre in Minneapolis & the continued health and well-being benefits of art-making for young people.
|
Tokens of Affection is a comedy written by Topher Payne, who also wrote our most recent production, Perfect Arrangement. It is the playwright’s tribute to Neil Simon. This contemporary comedy about marriage and families will have audiences in stitches.
music & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
music & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
music & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
A Woman Over Forty
by Lindsey Brown Invisible? I don’t think so. A quintet of dark comedic monologues celebrating the trials and tribulations of ‘a woman of a certain age’. No matter what life throws at them, which is a lot, they remain FABULOUS! This collection of five monologues includes: Arsenic is Too Obvious In Celebration of the Sandwich Grimm and Bear It Knickers On or Off? Margot’s BenchOur Dearest Friends
by Terry Newbymusic & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
A Woman Over Forty
by Lindsey Brown Invisible? I don’t think so. A quintet of dark comedic monologues celebrating the trials and tribulations of ‘a woman of a certain age’. No matter what life throws at them, which is a lot, they remain FABULOUS! This collection of five monologues includes: Arsenic is Too Obvious In Celebration of the Sandwich Grimm and Bear It Knickers On or Off? Margot’s BenchOur Dearest Friends
by Terry Newbymusic & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
A Woman Over Forty
by Lindsey Brown Invisible? I don’t think so. A quintet of dark comedic monologues celebrating the trials and tribulations of ‘a woman of a certain age’. No matter what life throws at them, which is a lot, they remain FABULOUS! This collection of five monologues includes: Arsenic is Too Obvious In Celebration of the Sandwich Grimm and Bear It Knickers On or Off? Margot’s BenchOur Dearest Friends
by Terry Newbymusic & lyrics by Bill Francoeur
Gangway, Pirates of the Caribbean — here come The Lady Pirates of Captain Bree! When his crew jumps ship upon sighting the pirates in the distance, Captain Jennings is left with a makeshift crew of motley prisoners and Fergus, a sailor who can’t swim, to protect his wealthy passengers, the Prescots, from the inevitable attack. As the lady pirates take over the defenseless Kayla May, you’re in for swashbuckling musical comedy with a host of hysterical characters on deck and a spectacular Bill Francoeur score. Along with Captain Bree’ hearty crew of mean and nasty mates (and a couple of new recruits in training who keep forgetting to be rough and tough), you’ll find the haughty Professor Bidwell and the pretentious Madam Prescot constantly battling for special treatment and respect (ha!) from the pirates, Samuel Prescot masquerading as a girl to avoid becoming shark bait, and Julia Prescot bursting with desire to join the lady pirates — much to her aunt’s dismay! After the pirates send Thomas, the cabin boy, out to sea with a ransom note demanding gold from the British in exchange for the Prescots’ lives, they amuse themselves by auctioning off the male prisoners to do their dirty work and showing Julia the ropes of pirating. But what is in store when Thomas returns with a British fleet, set on hanging the pirates for their deeds? Madam Prescot and Bidwell are equally set on seeing Captain Jennings hang for his defenseless approach to the lady pirates. Both your cast and your audience will love the swashbuckling ending as the two captains work together to save their crews from the British.
Bill Francoeur’s zesty music adds the perfect touch of authenticity to this spirited pirate play. From the suspense of ’The Plank’ when Professor Bidwell’s life is in the pirates’ hands to the belly laughs of ’Shipshape and Bristol Fashion’ when the pirates order the grumbling prisoners to swab the decks, your audiences will be humming the catchy sea shanties, including ’Welcome Aboard!’ and ’They’re a Nasty Lot.’
A Woman Over Forty
by Lindsey Brown Invisible? I don’t think so. A quintet of dark comedic monologues celebrating the trials and tribulations of ‘a woman of a certain age’. No matter what life throws at them, which is a lot, they remain FABULOUS! This collection of five monologues includes: Arsenic is Too Obvious In Celebration of the Sandwich Grimm and Bear It Knickers On or Off? Margot’s BenchOur Dearest Friends
by Terry NewbyThe Minnesota Association of Community Theatres (MACT) is a statewide, volunteer run organization. We hold meetings, workshops, festivals and other events throughout the state of Minnesota.
MACT operates on a two year cycle. In even numbered years we put on FAST*Fest, a non-adjudicated festival of 20-minute plays. In odd numbered years we produce MACT*Fest, which is an adjudicated festival of 60-minute plays which is part of the AACTFest cycle. Along with the performances at our festivals there are workshops and networking events.
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